Stone Island 30: A Conversation With Carlo Rivetti

David: What are the biggest challenges you face going forward?

Carlo: By no means cease! Carrying on trying forward, holding the proper the approach, ardour and energy!

David: Wanting again, what fabric growth, research or invention are you probably the most pleased with?
Carlo: It’s not a textile that makes me probably the most proud. In June this year, to have a good time the brand’s anniversary, we produced STONE ISLAND 30 – a 3 week lengthy retrospective exhibition in Florence in collaboration with the Pitti Discovery Foundation.

David: Can you describe the exhibition?

Carlo: It was set up in the superb Stazione Leopolda, a 2,500 sq. meter dismissed mid-19th century prepare station. The exhibition included over 200 items from the archives, divided in 10 thematic areas representing the innumerable therapies, assessments and processes that were required to create them.

Coming into and strolling through the exhibition, to me, was very emotional. I noticed the continuity and coherency inside the Stone Island brand very clearly. It made me really feel actually proud.

David: Do you see Stone Island as a trend house? How do you define the brand?

Carlo: We feel nearer to the industrial design world reasonably than the trend business. Our garments are conceived as design gadgets, through which functionality and research are fundamental. We glance to fashion in a lateral way, driven by completely different stimulus. Stone Island is research, experimentation, function and use. It’s a sportswear model that carries on an ongoing investigation, thorough and with out frontiers, on the processing and ennobling of fibres and textiles, leading to find materials and production strategies never used earlier than in the clothes trade.

David: Do you may have an all-time favourite Stone Island piece?Carlo: No, I can’t select however each season I have my own knit piece – they ‘re referred to as the ‘President Knits they are full zip knits you can wear as a jacket, as all of them have a protecting detachable lining inside. Season after season we implement them with totally different supplies and technologies.

David: What’s development course of like?

Carlo: We do exams on dyeing and therapies in our internal colour laboratory. It’s a division in a position to mix advanced technology, experience and human data, and it has developed more than 60,000 different dyeing recipes all through the years. We research the uniform and the workwear world. Our archive is a robust level of reference. I imagine that the insatiable curiosity of sounding the current and the tension in direction of potential futurescenarios are the circumstances for Stone Island’s steady evolution.

David: In your opinion, what’s the next step in fabric analysis, where can we go from right here?

Stone Island Garment Dyed Mussola Gommata Jacket In Black

Carlo: We’re finding out materials used in the automobile trade. This is without doubt one of the possible future situations.

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